On the surface, Lady Gaga might appear harmless.
She churns out mindless dance music and controversial performances, she’s a pop and fashion icon, she sexualizes her eccentricity, and garners attention and support for the LGBQT community.
But if you take a deeper look into her music, videos and live performances, you’ll find that they are replete with sinister symbols — of mind control, the occult, secret societies, Baphomet (emblem of the Church of Satan), ritualistic (blood) sacrifice, police states, transhumanism, and of course, sexual violence.
As The Vigilant Citizen writes:
“Her whole persona (whether it’s an act or not) is a tribute to mind control, where being vacuous, incoherent and absent minded becomes a fashionable thing.”
Gaga’s song, “Telephone” serves as an example:
“Stop callin’, stop callin’,
I don’t wanna think anymore!
I left my head and my heart on the dance floor.
Stop callin’, stop callin,
I don’t wanna talk anymore!
I left my head and my heart on the dance floor.”
And her name, Lady Baby-Babble, fits the theme as well.
What drives Lady Gaga?
The HBO program, “Lady Gaga Presents The Monster Ball Tour: At Madison Square Garden,” features clips of Gaga backstage.
In one scene, she breaks down while removing her makeup in her dressing room:
“I just sometimes feel like a loser still, you know? It’s crazy cause we’re at like the Garden but I sometimes still feel like a loser kid in high school.”
Gaga wasn’t “accepted” growing up. She wasn’t “American normal.” And it hurt. A lot.
She’s said before:
“I used to get made fun of for being either too provocative or too eccentric, so I started to tone it down. I didn’t fit in, and I felt like a freak.”
That kind of pain can drive the sweetest revenge — success in the entertainment industry.
But success doesn’t equal a healed past. In fact, open wounds can fuel an insatiable quest for more and more external validation — which masks (and compounds) the original problem.
A misconception of healing
“And I just gotta pick my shit up — I gotta pick myself up. And I have to tell myself I’m a superstar every morning, so I can get myself through this day and be for my fans what I feel like they need for me to be. But sometimes I feel like people are trying to destroy me.”
Gaga doesn’t just fight for herself — she doesn’t just push on to re-imagine her misfit persona (from “freak” to “icon”).
“I’m fighting for every kid that’s like me — that felt like I felt, and feels like I still feel.”
She wants to go on for her fans. She wants to be strong for them. Because “they need her.”
But they don’t really need her. Not in the way she describes.
Lady Gaga’s Misplaced Pain
Those fans that felt and still feel like they don’t fit in — what they need is some real self-confidence.
The kind she didn’t have growing up, and the kind that still eludes her.
Being a fan of Lady Gaga is not a replacement for self-healing. Worshiping an icon doesn’t cut it.
Gaga misplaces her pain onto the supposed pain of her fans, and sees it as her duty to fix that pain through her “being a superstar.”
The ultimate goal of that misplacement? To indirectly heal herself.
But Gaga doesn’t need fame or acceptance from her fans to be okay.
“I just sometimes feel like a loser still, you know?”
She needs to accept herself.
Until she gets that, her entire career will likely continue to unravel not only with fervor, but replete with symbols of mind control, the occult, secret societies, Baphomet (emblem of the Church of Satan), ritualistic (blood) sacrifice, police states, transhumanism, and of course, sexual violence.
Why is Lady Gaga a mind control icon?
“It hurts when I know how much authenticity and genuine blood is in my spirit — and how much I feel that people don’t know that, you know?”
Like many other major female pop stars, Gaga is a sexualized conduit for occult symbolism. How is that authentic?
Is Gaga even aware of the convoluted history behind the horned, goat-headed, androgynous god/ess Baphomet? It continually shows up in her persona.
And she’s even altered her image to potentially emulate its features.
Gaga has prosthetic horns on her head, cheek bones and shoulders on the album cover of Born This Way. She’s also made live appearances with these horns, and some of her fans have appended them to themselves.
So does this “fashion move” have anything to do with Baphomet?
Or is Gaga symbol-illiterate, just going for aesthetics? If so, are others carefully placing those symbols in her work? Are those people symbol-illiterate?
It makes you wonder, doesn’t it?
Mind control themes in entertainment
The Vigilant Citizen documents myriad ways in which celebrity brands regularly inject mind control and related themes into popular media.
Our entertainment media constructs a rather sinister narrative. Not just in regards to sexual exploitation, deceptive advertising, and the promotion of complacent consumerism. No, it goes much deeper that. But you have to have the “eyes to see.” (You have to become occult-symbol-literate.)
Most consumers of entertainment media are asleep to the greater reality we live in — one where governments and others in power have (e.g., CIA project MK-ULTRA) and continue to (e.g., your television) use mind control techniques on the masses.
The danger in Gaga’s misplaced pain
In an interview with Star Tribune, Gaga made a statement that sums up the entertainment industry:
“I’m trying to give people things that they don’t need, but will eventually become the reality of the future. I like to tell lies that become true.”
Does that make her sound like she cares about her fans?
No matter the case, it probably has to do with her unresolved past.
Pain can warp an individual in all sorts of ways. And make them vulnerable to manipulation.
They say to make it big in the entertainment industry, you have to sell your soul to the devil. An unresolved past, which leads to unclear thinking, could definitely facilitate such a pact.
Lady Gaga is another celebrity who’s succumbed to the norm of Bahpomet worship, among other things.
Perhaps it’s because she’s still trying to feel okay. To not feel like a loser.
Whatever the case, Gaga believes her stardom helps others who still feel like loser kids.
That’s misplaced pain.
And it’s dangerous.
Because ultimately, those who still feel like loser kids will become mind controlled, if not highly influenced, by Lady Gaga herself. And all that sinister symbolism and direct messaging that come with the package.
What do you think?
Is Lady Gaga aware of the symbols she embodies?
Is she just a puppet on a string?
Feel free to share your thoughts and/or reactions in the comments below.



{ 14 comments… read them below or add one }
“But if you take a deeper look into her music, videos and live performances, you’ll find that they are replete with sinister symbols — of mind control, the occult, secret societies, Baphomet (emblem of the Church of Satan), ritualistic (blood) sacrifice, police states, transhumanism, and of course, sexual violence.”
Okay you must be joking me…I mean really, you’re equating the expression of a lifelong experience of abuse, social dislocation and disenfranchisement with “mind control, the occult, secret societies, Baphomet, ritualistic sacrifice, police states, transhumanism and sexual violence”? Of all of those the only one even remotely related is sexual violence. What more none of the listed things actually have any relevance to each other and often are contradictory. Her quoted lyrics have nothing to do with mind control, you’ve misinterpreted them. While I’m not a Lady Gaga fan, as a writer I must protest the idiocy of your claim.
Let’s actually examine this shall we?
“Stop callin’, stop callin’,
I don’t wanna think anymore!
I left my head and my heart on the dance floor.
Stop callin’, stop callin,
I don’t wanna talk anymore!
I left my head and my heart on the dance floor.”
In this particular segment is one: taken out of the context of the song, two: has nothing to do with mind control at all. The context of the song is about a relationship which has gone sour (hardly Transhumanism) (You should read the entire song before commenting Lady Gaga Lyrics – Telephone (feat. Beyonce)) The Lyrics themselves don’t say much other than she doesn’t want to talk to someone (literally) and she’s too busy on a dance floor listening to a song and not paying attention to her phone.
“But success doesn’t equal a healed past. In fact, open wounds can fuel an insatiable quest for more and more external validation — which masks (and compounds) the original problem.”
Isn’t that interesting, we talk about accusations but without any actual proof. You say that her troubled past, as exemplified on HBO means she’s trying heal that past by questing for external validation. Hello, it is that very past, the way the EXTERNAL validaters hurt her that created the problem in the first place.
Social pressure and expectations as you said “American normal” versus self fulfillment without the need of external validation, which is it? Does she need an external force to validate her self-esteem or doesn’t she? Again you’ve jumped to conclusions without supporting facts and made a wild claim that isn’t true.
As for Baphomet, you don’t know the history of the goat figure, because if you did you’d not have actually brought it up as it’s a NON-ARGUMENT. While iconography is a big part of any pop-star, and sexualization is a must for any professional artist in the field today (both men and women), the imagery is in precise with Gaga. In fact arguably except for some specific scenes many of her imagery is noir rather than sexual, and definitely so. She, through her lyrics and works use her strange proclivity and style to comment on the over sexualization and more importantly anti-individualism that exists. And while this might actually fit with some Modern Satanistic ideology (which ironically has nothing to do with Satan at All) it doesn’t fit into occultism nor the secret societies, sacrifices, nor Transhumanism you’ve speculated above.
(On Baphomet: Baphomet is a bastardization of the word Mohamed, stemming from the Dark Ages. The “goat goddess” of fertility predates Christianity by a few hundred years and wasn’t equated or even overlaid onto the pentacle or pentagram until after the council of Nicia. Frankly the modern iconography of the goat, Baphomet, and the Pentacle as it is to do is a Christian perversion in an attempt to discredit and demonize non-Christian faiths. Its ironic actually, because the Christian faith which demonized so many other religions used to use the Pentagram or Pentacle as a ward against evil spirits. A carry over from the earlier religions that predated it. As for the symbology, there is nothing wrong with it. In fact, again it comes down to her own sexual understanding and being. Horn graphs on the other hand (which she doesn’t have~ as you said they’re prosthetic~ aren’t related at all to any of this. Horn graphs are to the people who have them as earrings are to those who wear earrings or other piercings.)
As for “mind control techniques”, its bull. While we are socially conditioned to have certain expectations “The American Normal” again, none of the advertisers and consumerist users are actually instilling, they’re just taking advantage of it. What more social conventions change, and so have the advertisers. Go back to the 1950s and the image of beauty was far different than it is today, go back to the 1980s, the 1990s, and even at half decade marks and you’ll see remarkable differences between the socially accepted images and trends. These trends are followed by and used by marketing firms to sell goods. They follow celebrity and social icons. it has nothing to do with mind control, but social conditioning. It would be catastrophic to equate the two. And again, when it comes to Occult Iconography, its everywhere, in your churches, in your schools, in the very Alphabet you’re reading right now. To claim that the occult is being used to mind control people, and one has to become “occult-symbol-literate” is absurd.
For example: Halloween is marked by thousands of occult symbols, from spiders to the pentagram, to upside down crosses, vampires, monsters, etc. All the way down to angelic scripts, pagan rituals (of all various forms), and so on. 90% of it is fake, most of it is from the Victorian age and into the 20th century and has Nothing to do with actual religious ideology or iconography. Hell the upside down cross was a symbol of Christianity until Alister Crowley decided to make it a symbol of Satan. Satanism as it is known today is an invention of the 1960s, with some pre-60′s (that is; 1940-50s) sparks.
Finally, her “misplaced pain” as you call it and sadly don’t get only shows your lacking knowledge or ability to break down anything with a fair eye.
““I’m trying to give people things that they don’t need, but will eventually become the reality of the future. I like to tell lies that become true.””
She’s saying that she wants to get past current conventions and set the path for the future of her industry. In other words, as an entertainer, she is giving her audience her performance, not the performance of other entertainers that fit into the vibe of the present day. Comparable would be the Beatles in the 50s. They lead the way into the heavy rock and stoker rock period, while others were still playing in the big band. People wanted the Big Band, because that was the socially Expected convention of what music was. The Beatles changed that, and Gaga~ via her quote ~ believes she’s doing the same. The big about lies is ever more useful in this, she tells her fans “I’m a pop star for you now” but then she breaks the convention of being the pop star, thus lying to her fans, but then by leading the industry more singers are becoming innately stranger and thus the social convention changes and the lie no longer is one.
As for teens being “mind controlled” again, balderdash. Teens are the one social group Less likely to be brain washed through media than any other. They’re rebellious, they don’t want to fit into conventions. Not to mention that almost all scientific evidence that exists quite plainly states a single person, let alone a group of people, can’t be “mind controlled” through media input. There are too many other conditioning factors that take precedence over the input from media sources. That’s why subliminal messaging never worked and that’s why your claim is so bunk its not funny.
Meanwhile my other main points against your article is that you reference some things that you don’t otherwise address in the article. Where is your claim to “secret societies”, “Blood Sacrifice”, and “Sexual Violence” ever later referenced? How could you actually MISS the single comparison that you got Right (Sexual Violence) in the whole of your article?
Please don’t write anymore until you learn how to research properly, and more importantly, until you learn how to make a comprehensive and LOGICAL argument that isn’t based on Fallacies.
Krist
Given that I don’t personally know Lady Gaga, and that even knowing her doesn’t constitute “proof” of “who” she is or “how” she operates, it’s safe to assume that everything I write here is subjective opinion, and I assume the same of your claims (including music criticism/social commentary).
I think you’ve missed my point — switching the set of external validaters doesn’t solve the problem of unhealthily relying on external validaters.
There’s no direct claim that “the occult is being used to mind control people.” Instead, what’s written is that the occult is used in the constructed media narrative (which you agree with), and that the masses aren’t aware of mind control programs like MK-ULTRA. It’s up to each reader to form their own opinion on the juxtaposition of those two statements, just as you’ve done.
Careful reading (of the phrase, “if not highly influenced”) would clear up your misconception of my claims.
If you’ll notice, I linked to Vigilant Citizen heavily, who’s already made those claims in his articles on Lady Gaga. My point for writing this article is not to repeat what he’s done, but to contextualize my opinion on Gaga’s quote from the HBO clip.
I’m sure you know that I will happily keep writing about topics that matter to me, whether or not they cater to your criteria for logic. As such, feel free to (respectfully) criticize away.
Point 1 of your rebuttal: You should be careful, when an article is presented in any form, there is an expectation of the writer to explicitly define what is fact and what is opinion. To assume that your writing is “safe to assume that everything I write here is subjective opinion, and I assume the same of your claims (including music criticism/social commentary)…” is incorrect. You present an argument as though it is based on fact and present no attempt even to say “in my opinion”. Therefore, as a reader, i presume you have some facts to back up your claims and will present them, which you failed to do. Proof is necessary to substantiate your claim, otherwise your commentary is nothing more than peanut gallery fodder.
Point 2: “I think you’ve missed my point — switching the set of external validaters doesn’t solve the problem of unhealthily relying on external validaters.”
I haven’t missed the point, I was explaining the presumptive nature of your claim, which you’ve again presented in slightly different and more direct terms. If we presume a person has validation from multiple sources some internal and some external, and the external validation is lopped off or corrupted then we have an unhealthy imbalance which would cause introversion. Thus the use of external validation in her case is an attempt (based on the logic of your argument at least, not as factually related to Gaga herself) to balance that relationship.
In fact, I don’t think you understand the full complexity of the ID Ego Super Ego concept to define what is and is not healthy reliance on external validation. If you did you’d have noticed the flaw in your original argument and the overwhelming underestimation of the complexity of the relationship a person has with their support network. What more, principally speaking, if she doesn’t have a personal external support system which validates her accomplishments and all she does is internalize those accomplishments, then she has no reason to express her self in the first place. Which means that she’d remain the “loser” if you will that no one likes. Self confidence is an extremely difficult thing to pin down and her emotions as an entertain go into her music. Her medium of expression is her music (as has been for countless other musicians) thus it is a vehicle to connect her self to others. Thus the claim that her emotions are misplaced (“Misplaced Pain”) is again not supported.
Point 3: You implied that Gaga is mind controlling teens, and you also made the direct reference of “Like many other major female pop stars, Gaga is a sexualized conduit for occult symbolism. How is that authentic?”
What more my point is that occultism isn’t Bad or Wrong, or at least with in the same sense and connotation that it’s not wrong or bad that Christian parent’s teach their kids about the Bible. The iconography of the “occult” is everywhere because it was founded on things found in normal society. There is no difference between the “sexualized”" pop stars and the sexualization of teens in high school, super models on billboards, and the otherwise general communal norms of attraction. You’ve equated (alongside many other critics of the sexuality in our culture) something you perceive to be evil or wrong (by the tone of your article) to an otherwise long standing social convention applied to both sexes for hundreds if not thousands of years. A social convention no less found in hundreds of other social species (primates, insects, birds, etc).
Point 3.5: “…and that the masses aren’t aware of mind control programs like MK-ULTRA. It’s up to each reader to form their own opinion on the juxtaposition of those two statements, just as you’ve done.”
The masses are aware of “mind control programs” and have rejected them as fallacy. Why, because such programs don’t work and fail every time. There is also a strong difference between representing your case through factual sources by quoting and explaining to at least a minor degree by what you mean by mind control and what those sources tell you, and what you’ve done which is, to put it as you have, referred to a source. The few quotes you have, although linked to a source, the source is incredible (meaning not credible in this case) which is written by an unknown author (labeled VC for the site’s name) and the author fails to source his information.
Since VigilantCitizen.com isn’t a credible source the quotes made are negligible at best if not down right worthless. While I’m loathe to use wikipedia they at least source their information and provide actual bibliographies for their articles and arguments. http://en.wikipedia.org/wiki/Project_MKULTRA
Its noteworthy that conspiracy theorists have used MKULTRA to brand any number of things as “mind control” in the past and to the present day. None of which is supported by evidence or proof.
Point 4: Good going on taking your OWN WORDS out of context: “Because ultimately, those who still feel like loser kids will become mind controlled, if not highly influenced, by Lady Gaga herself. And all that sinister symbolism and direct messaging that come with the package.”
As i said, “teens being “mind controlled” again, balderdash.” Lady Gaga, as a pop star and social icon will have no more influence on a teen than any other social icon pop star. And, because we’re in an information age, that is to say, pop stars are run of the mill come and go icons for this era and there are hundreds of them competing for the same audience, Lady Gaga’s potential level of influence is limited. Compare this to the 1960s or 70s when pop stars were rarer and more influential due to the lacking means of communication, comparatively teens are more likely to be influenced by a website pop up that says “do you want to make your penis bigger” than Lady Gaga’s music.
In short your claim is dashed purely by the fact that there are hundreds of pop stars all of whom have the dumpy everyone hates me song and we do not see rash cultism following any of them (save for a few like Ozzy Osborne, Marilyn Manson, or Led Zepplin).
Point 5: “If you’ll notice, I linked to Vigilant Citizen heavily, who’s already made those claims in his articles on Lady Gaga. My point for writing this article is not to repeat what he’s done, but to contextualize my opinion on Gaga’s quote from the HBO clip.” If your purpose was to contextualize your opinion on Gaga’s HBO quotes then you should have said that out right instead of leading the article with otherwise unsupportable claims, and claims you otherwise barely, if at all, come back to. What more, if you wanted to lead with those things, you should have said VC said x, here’s my take on it. Again you failed at this.
Final point: “I’m sure you know that I will happily keep writing about topics that matter to me, whether or not they cater to your criteria for logic. As such, feel free to (respectfully) criticize away.”
My prior statement still stands, its great you’ll write on topics that matter to you, but there is a social standard of logic (not my criteria in anyway, if it were my criteria I’d have just laughed at your statements out right rather than sit down and take them apart to point out the flaws in your argument. Which is a courtesy I give all writers) that you’re to subscribe to if, that is, your goal is to be accepted as a writer and more importantly as a credible one. If in fact you’re happy to continue using false arguments, slander, defamation of character, and incredible sources to write, go for it. But I can guarantee you won’t be taken seriously in any light what so ever. Only those too stupid to not see the rigmarole of your writing will take anything you say as informative.
Sincerest regards, Krist.
Clarification on point 3.5: Masses reject the potential of mind control even if such programs exist, because their results are consistently bleak. Most people are not weak minded enough to be controlled in any of the ways presented in the MKULTRA program. Thus the fallacy of mind control.
Did you read the disclaimer?
Just curious, did you get here from a link to the Mad Scientists/Transhumanists article?
Are you an aspiring writer?
Ah I see, so just because you have a “disclaimer” you think its fair or right to assert blatantly false information? No, I didn’t get this link from a “mad scientists” or “transhumanist” article. I got to it from your site after being linked to a different piece on this site from a friend’s blog. But I do love how you are now implying I’m some sort of transhumanist mad scientist…
As to your question I am a writer. I’ve been published in several magazines across several subjects, ranging from civil liberties in the US, US Politics, Health, Food, Social and Psychological Warfare, Metaphysics, and of course fiction. As a writer I’m offended by your tactless style and Fox News like style of writing opinion as fact and not presenting the whole truth, where instead you publish your own interpretation. An interpretation which I’ve pointed out several times now is baseless.
Kristoffer Martin is not arguing fair. He is using abusive language, an arrogant tone, and trying to control opinions through force and over-writing. I believe he is feeding off other people’s energy much like a narcissist or a parasite. I really think he ought to be ignored due to his abusive tone alone.
That being said, I believe that Lady Gaga is incredibly gifted. Her vocal ability is on par with some of the greatest female voices of all time. When a producer hears a voice (and an attitude, and a look, and a message, etc) the producer sees dollar signs.
Where does the money come from? Who is it that invests in talented young people? Where does the marketing budget come from? Who pays for the clothes, the cars, the jewelry, the music videos, the travel, and all the expenses that go along with it all?
A young woman with a strong voice is a rarity, and we all know through Economics Class that what’s rare is valuable. Word gets out that Gaga is the next Madonna, and investors get worked into a frenzy. But ultimately, the highest bidder will always win. The highest bidder in her case was Vivendi/Universal.
I think it’s more important to focus on who Vivendi/Universal is as a corporation in order to understand the why and the how of Lady Gaga’s symbols and appearance. Because if all we’re doing is focusing on Gaga, then we’re doing exactly what the corporate media wants us to do: focus on the insignificant, the superficial, the glamor… while the corporations rape and pillage off camera.
Not necessarily. (I wasn’t going for insignificant.) For many people, taking a closer look at entertainer-brands is the start to asking bigger questions. When entertainers are idolized, the bigger picture fades into the background.
And to be clear, my main argument (though maybe not explicit enough) was that Lady Gaga’s misplaced pain facilitates the corporatist agenda. Big media can’t get away with what it does without using emotionally fragmented individuals.
I guess “insignificant” was the wrong choice of words.
Michael Jackson, for example, is both very significant, and at the same time, extremely insignificant, depending on the context. My argument would be that Gaga, like all pop culture, is a distraction from true progress, spiritually and politically.
Speculation: What if all the occult symbols are also a layer of distraction purposely placed to keep the “conspiracy crowd” in debate and confusion?
I mean, everybody read the Da Vinci Code, which was a book that played on our fears of symbology and its use by a secret power elite. And now all of a sudden all of our pop stars are flashing pentagrams, horns, and the Eye of Horus… I think we’re getting played with.
The Fear Campaign has many layers. They don’t care at which level one buys into it.
But all that aside, I think the focus of this article, which is about misplaced pain and a false recovery from low self-esteem is being overshadowed by the icon that is Lady Gaga, which is kind of ironic. Here we have a young woman on top of the world who feels like a loser, but who goes on stage and records music, not for herself, but for other people, her fans. This is classic codependency.
She pretends to be Tinker Bell on the edge of death unless her fans cheer loud enough for her to get her back on her feet: more evidence of codependency.
Yet, she believes she is the therapist and recovery tool for her fans when in fact she is the ultimate spokesperson for victim-hood and shame. Her jaw-dropping external appearance and behavior is a glorification of overcompensation for a shame-filled childhood.
So, yes, I agree there is much to be learned from her and how she may be the ultimate reflection of a culture of people-pleasing and addiction as ways of coping with shame, but I don’t think that symbols, such as all-seeing eyes or pyramids alone have any meaning that can be analyzed correctly by we the consumers.
This is certainly one explanation to turn a head from the phenomenon altogether.
It’s actually not “all of a sudden,” and symbolism goes back a long time.
Jordan Maxwell has said that the movie The Da Vinci Code features slides that were taken exactly from a presentation he had once given.
Unlike Lady Gaga, I’ve met Jordan Maxwell. He’s a kind soul who’s not trying to spread fear, but to help those who want to wake up, pay more attention.
Interesting observation, interesting opinions expressed. Some validity in all of it. I think one is forgetting this is Art. As an artist, who’s pain, triumphs and a myriad of emotions find their way to my pieces, I have no problem with Lady Gaga’s symbolism. Young people traditionally have used and needed rock stars and music to identify their teen angst with and to rebel with. (god, look at the Twilight series) I’d rather watch the Lady Gaga HBO special a hundred times than one of those movies once.
Which brings me to: One person’s version of art is another’s version of trash. The point is it is being talked about — that is what art is supposed to do, provoke thought and conversation. Looks like she was successful.
Also a side note, most artist through the ages ride the double edged sword of low’s and high’s. Van Gogh? Poe? Joplin? There’s a long list. Couple of books that might give some much need insight: “Touched with Fire” by Kay Redfield Jamison, and “Witness the Fire” by Linda Schierse Leonard.
Without art symbolism, “where would we be as a culture?” is a better question.
It’s interesting you should mention this Cynthia. Just the other day as I was browsing scientific articles on emotion this one caught my eye and I saved it for later reading: “The Dark Side of Creativity: Biological Vulnerability and Negative Emotions Lead to Greater Artistic Creativity.”
Yeah, I think Twilight can be pretty detrimental to impressionable teen girls, even though its symbolism or whatever dark creative elements aren’t nearly as blatant as those in Lady Gaga’s music videos.
Hi, I agree with you in that she is trying to get revenge and somehow overcome her low self-esteem and crushing childhood social experiences and is kind of using that in a B.S. way when she says she’s doing it for all other shy kids or something like that. I can relate to her condition, having had extreme social pain growing up myself and being very creative and a singer/songwriter to boot. But as far as the imagery and iconography is concerned. I don’t hold much truck with the article you reference. Funny I just stumbled across it somewhere else before seeing it on you blog. Having read a little about “occult” symbolism it seems to me that it attracts a lot of people who like to visualise themselves as super-powerful beings. This probably also stems back to the bad underlying experience of life. Maybe she is trying to tap into psychological archetypes to influence people and gain more success. Thats probable. And maybe she does want to see herself as some sort of demi-god. Thats quite normal at her level of fame. Always wanting more, and the more you get the more you want. But its human. I personally think the symbolism is cool. And I think maybe using all that symbolism makes it a lot easier for her to have an engaging show. She doesn’t have to think it all up herself, so in away its a bit of a con because everybody thinks shes so out of this world and original when she is really drawing on a massive amount of highly entertaining stock symbolism. As well being for the “Green Isle” here across the atlantic, I’ve been interested in Celtic mythology and the imagery of horned gods and the like are simalar to a deer god that was worshiped in Britain and Ireland. The christian church did seek to demonise all other religions while taking their special worship and feast days for there own religious figures. Like St. Brigid here. She was a pagan goddess that they morphed into a christian saint. Anyway. I just thought I’d put my point of view across. Like I said I completely agree with you on the psychological motivation for her fame. I She is a classic case. By the way I had to laugh the last day when I saw Kanye and the super-frog Jay Z doing the masonic symbol. Good luck to them as they say.
{ 2 trackbacks }